After studying Fine Arts at Musashino Art University, he began his career as an assistant to the artist Sawako Goda while working on the 1981 French-Japanese film, “Fruits of Passion.” Taneda’s first feature film as a production designer was in 1988 for “Futari Botchi,” and he became prolific in the international film world in 1996 for his work on Shunji Iwai’s “Swallowtail Butterfly.” “Turandot”, which is a Chinese grand fantasy film set in the age of the Yuan dynasty, directed by Zheng Xiao Long who has made many popular TV drama series in China.īorn in Osaka, Japan, Yohei Taneda is based in Tokyo and works internationally. Alicia Vikander who won the Best Supporting Actress Oscar USA for The Danish Girl, Riley Keough in Mad Max:Fury Road and Naoki Kobayashi, one of members of EXILE, the most popular pop group in Japan play in “Earthquake Bird”. “Earthquake Bird” is a thriller story on a mysterious love triangle, directed by Wash Westmoreland, famous as a co-director “Still Alice” which brought Julianne Moore the Best Actress Oscar USA. Waiting to be released in 2019 and now under post-production, are “Earthquake Bird” (Netflix/USA) and Turandot (Flower Entertainment/China). I,” Zhang Yimou’s epic “Flowers of War,” the animated “Ghost in the Shell 2: Innocence” for Mamoru Oshii, Hiromasa Yonebayashi’s “When Marnie was There” nominated Academy awards USA as Best Animated film, “Manhunt” for legendary Hong Kong action director John Woo, Hirokazu Koreda’s legal thriller “The Third Murder,” and Raman Hui’s mega-grossing adventure “Monster Hunt” and follow up “Monster Hunt 2.” In Japan, he is more commonly recognized as an actor for his numerous roles in Japanese films and television.ĭescription above from the Wikipedia article Seijun Suzuki, licensed under CC-BY-SA, full list of contributors on Wikipedia.One of the preeminent production designers in Asian film, YOHEI TANEDA has collaborated with an eclectic range of filmmakers internationally, amassing an impressive list of credits that includes designing such films as Quentin Tarantino’s “The Hateful Eight” and “Kill Bill: Vol. Suzuki has continued making films, albeit sporadically. His films remained widely unknown outside of Japan until a series of theatrical retrospectives beginning in the mid 1980s, home video releases of key films such as Branded to Kill and Tokyo Drifter in the late 1990s and tributes by such acclaimed filmmakers as Jim Jarmusch, Takeshi Kitano, Wong Kar-wai and Quentin Tarantino signaled his international discovery. As an independent filmmaker, he won critical acclaim and a Japanese Academy Award for his Taishō Trilogy, Zigeunerweisen (1980), Kagero-za (1981) and Yumeji (1991). Suzuki successfully sued the studio for wrongful dismissal, but he was blacklisted for 10 years after that. His increasingly surreal style began to draw the ire of the studio in 1963 and culminated in his ultimate dismissal for what is now regarded his magnum opus, Branded to Kill (1967), starring notable collaborator Joe Shishido. He made 40 predominately B-movies for the Nikkatsu Company between 19, working most prolifically in the yakuza genre. His films are renowned by film enthusiasts worldwide for their jarring visual style, irreverent humour, nihilistic cool and entertainment-over-logic sensibility. Seijun Suzuki born Seitaro Suzuki ( – 13 February 2017) was a Japanese filmmaker, actor, and screenwriter.
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